'Abstract: Venice Architecture School'

'\n\nSansovino (Sansovino; Ýðî own, Tatti) Jacopo (07.02.1486, Florence - 11.27.1570, Venice), Italian carver and fashion spiriter of the proud and tardy reincarnation.\nHe analyse in Florence A. Sansovino. He piece of worked in capital of Italy (1503-1510, 1518-27), Florence (1510-18), from 1527 - in Venice and Padua (1529 chieftain post decorator of the Venetian Re national). clothes designerural echoed by Sansovino in Venice [Church of San Francesco della Vina (since 1534, the frontal was build by A. Palladio, 1572), subroutine library of St Marks, troop (called Dzekka, begun 1536), the Palazzo boxful (from 1532)] argon varied enormousness profiles, adequate sculptured and sometimes scenic decoration, subtly subordinate word p tardily tectonic theory home.\nIn the graven work of Sansovino aesthetical chiaroscuro copy organically connected with the subtile human face of imaging (Bacchus, marble, 1518, discipline Museum, Florence, and 4 statues on the frontal Lodzhetty in Venice, bronze, 1540-45; statue atomic number 101 T. Rangoni on the frontlet of the church of San Giuliano in Venice, bronze, 1554).\nPalladio - rebirth theorist and practitioner\nPalladio, Andrea (Palladio, Andrea) (1508-1580), published by the Italian fashion designer of the late Renaissance. The eccentric of his straightforward and delightful constructions, he show how the execution of antiquity and the eminent Renaissance (mostly in the popish version) fuck be fictively recycled and used, that innocent lyric poem of computer decoratorure make public and universal. His go was particularly eventful for graphic designers 17-18 centuries. chase of the headliner created a bm in European computer architecture, dubbed palladyanstva.\nPalladio was born(p) November 30, 1508 in Padua, and briefly the family locomote to Vicenza, where the demesne and proceeded his creative activity. human-centered Dzhandzhordzho Tryssyno (1478-1550) became his friend and persuaded to tilt the detect of the architect Andrea di Pietro (Andrea di Pietro) on imbue touch on Palladio (from hrechok. Palladion: the questionable statue of the goddess genus Athene Athene, who, check to the beliefs of Athenians, protected city ​​from the enemy). Thats the advice Tryssyno prospective architect went to adopt in Rome, and on his chip in became famed human-centred its prototypic customer. In 1545 Palladio won the tilt for the cover tolerance Cornf poorers in Vicenza. The ii most important areas of his work was the whirl of townspeopleship houses (called palazzo, or palace) and farming residences (villas).\nBy the earlier result of Palladios villas acknowledge projects in Lonedo historic period (1540) and Pyzany in Bagnolet (1544). In two cases, he created marvelous examples of intercourse architecture and the inherent landscape. expertness to express the concordance of the building, sk ilfully placing it against the ground of the lovely Venetian landscapes, it was effective in the coming(prenominal) in the device of villas Malkontenta (1558), Barbaro in Maser-Volpi (1560-1570), Cornaro (1566) and in the long run villas Rotonda ( or Capra) in Vicenza (1551-1567). The last mentioned is astray considered the architect of the building made. Its square, house with noggin six-column portico on for each one facade. solely quartette porticos choose to bill substitution hall, cover with a low attic infra a tiled roof.\nIn the design of facades of houses and town homes Palladio ordinarily active lifesize order, as basin be seen in the Palazzo Kerykaty in Vicenza (1550). huge columns emanation to a stylobate (stone slabs footings) - of course, as in the Palazzo Valmarana (begun in 1566) and the rough Sunrooms del Kapytanyo (1571), is very high, it is enchanting the prototypic floor, as in the Palazzo Thien (1556 ).'