The reverence for nature therefrom , cannot be disentangled from the very forces that were encroaching upon nature and destroying itFinally , in spite of the role of landscape painting in the self-will and nurse of nature , we have identified a reigning cross-current of ecological interrogatory built into the very enterprise of landscape painting This cross-current of inquiry interacted in certain ways with scientific seek , but it also broadened the scope of scientific inquiry and humanized it . The painter s ! inquiry involvedClose , sustained observation of particular sites , from geology to botanyAn twin tension on the subjective experience of natural places , as kinetic , changing environmentsA faith in the interrelatedness of sprightliness things and natural systems , in other words , in the ripe apprehension of ecologySourceKirk Savage , University of Pittsburgh : The Case of 19th Century LandscapePainting...If you need to reap a full essay, order it on our website: OrderCustomPaper.com
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