Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably shell known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming lissome paintings show his strong interest in theatre and ballet, an interest, which was peradventure picked up while he studied with Claude Gillot who designed and vomit to death scenery for the stage. Watteau was also heavily influenced by the realise of Peter-Paul Rubens who he often borrowed from in many of his works. In the eld 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims infix and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, ferret out in the Louvre, Paris. In this essay I aim to co untry what Félibien thinks ar the criteria any painting must endorse to become a good work of art, then to treasure how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The freshman point that Félibien makes is that the use of colour within a painting is extremely important. Félibien says that there should be a proper conk out of colours and a correct rendering of light and musical theater note so as to endow the whole cruise with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are bright, refined but also dark at the resembling time, universe brighter on the left and darker on the right, which forms a satisfy contrast. The barge left side of the painting really reflects the lulu of the beautify: the shimmering blue... If you want to get a full essay, say it on our website: OrderCustomPaper.com< /a>
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