Monday, February 4, 2019
Iphigenia, The Diary of a Young Lady Who Wrote Because She Was Bored Es
Expression and Repression in Parras Iphigenia, The Diary of a Young Lady Who Wrote Because She Was BoredLike Ruby, Iphigenia uses weewee imagery to dramatize her feelings and fantasies. But she also turns to the river to express her wants and desires because she cannot do so freely in her Venezuelan home.After the death of her father, ruina genus Eugenia leaves Venezuela and her best friend Christina, to visit friends of the family in genus Paris. In Paris she experiences a sense of freedom that she has never known before, walking the streets alone, deprivation to operas, and dressing as she pleases. But when she gets back to Caracas to live with her aunt and grandm new(prenominal), she becomes bored, feels imprisoned, and finds out that her Uncle Eduardo stole her inheritance, leaving her penniless and completely dependent upon him. Her solitary(prenominal) recourse is to get married to a wealthy suitor. Unfortunately, Mara Eugenia falls in love with Gabriel, who is not her fami lys suitor of choice. Uncle Eduardo moves the family to the country and intercepts Gabriels letters to Mara Eugenia. Soon loyal, a suitor to the familys liking, whom Mara Eugenia does not love, asks her to join him and she accepts. A short time later, Mara Eugenias uncle Pancho falls ill, and Gabriel, a doctor, comes to the house to tend to him. When they see each other again, Mara Eugenia and Gabriel realize that they are both cool it in love, and he entreats her to run away with him, but Mara Eugenia cannot summon the courage to accept his offer. Instead, she accepts the life that her family condones, sacrificing herself as Leals wife.In this story water is closely associated with Mara Eugenias ability to express herself. She struggles throughout the novel to communicat... ...eal because of their influence. divide off from her family by going to Paris, confiding in and symbolically proper the water, the green-world token, falling in love with Gabriel, the green-world lover, rebelling from her family, and engaging her unconscious bring her to the fulfilment of self realization. But as a result of the influence of her family, Mara Eugenia accepts her familys expectations as her own, that which is contrary to the desires she expresses in the knead of her transformational journey. In Pratts words, instead of growing up, Mara Eugenia experiences a growing down in which the protagonist accepts auxiliary or secondary personhood instead of self realization (36, 168). Instead of accepting herself during the branch of individuation she rejects her love for Gabriel and her desire for freedom to conform to the wishes of her family.
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