Thursday, February 14, 2019
The Nature of Evil in Shakespeares Macbeth Essay -- GCSE English Lite
Macbeth The Nature Of repulsiveness In Macbeth, the character of Macbeth has a. firm and correct grasp of self-knowledge, and a salubrious developed concept of the universe and his place in it. He willfully disregards his own moral thoughts and institutions. According to Bernard McElroy, more than any other Shakespearian hero, he Macbeth has a perfectly clear concept of who he is and where he stands --- and it is exactly this perception that torments and spiritually destroys him(330). Macbeth is strongly impelled to malign scarce he also abhors injustice. It is this that causes Macbeth to abhor himself. The play explores the tensions amidst Macbeths proneness to evil and his abhorrence to evil. Macbeth is a tragic hero because he becomes caught in tensions between his criminal actions and the reaction of his conscience. Had Macbeth committed the deeds without any remorse, he would induce been simply an evil monster, without any hope. But it is his conscience about evil that makes him tragic. Through Macbeths actions, Shakespeare is able to depict the nature of evil as organism lusftul, deceptive, tyrannical, and disruptive to family. To begin, Macbeth himself stands as a symbol for Satans sin of ambition. Like Satan, Macbeths unsatiated lust for power and ambition drives him to commit evil. Although Macbeths ambitiousness is not in itself evil His very strong social sense, worldly but valuable, in concert with that gift of imaginative expression whereby he far outshines all the others, makes him by nature and rightly desirous of winning Golden Opinions from all sorts of people I.vii.33 (Elliot, 288). However, Shakespeare asserts that Macbeth knows his place in nature, and is overly ambitious according to Calvinist doctrine ... ...d devoured by it. flora Cited Bethell, S.L. Shakespeares Imagery The Diabolic Images in Othello in Shakespeare Survey Volume 5. modify by Allardyce Nicoll (Cambridge Cambridge University Press, 1952) Elliot, G.R. Intro duction On Macbeth as Apex of Shakspearean Tragedy in Shakespearean Criticism, Volume 3. Edited by Laurie Harris (Gale 1984) McElroy, Bernard, Macbeth The torture of the Mind in Shakespearean Criticism, Volume 3. Edited by Laurie Harris (Gale1984) Ribner, Irving. Macbeth The Pattern of Idea and Action, in Shakespearean Criticism, Volume 3. Edited by Laurie Harris (Gale1984) Shakespeare, William. Othello. Edited by Norman Sanders. (Cambridge Cambridge University Press, 1984) ----, Macbeth, World Literary Heritage, Volume 1.0 (California Softbit, Inc. MS- DOS / MS - Windows 3.1, CD ROM)
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